This provides a slower compression, allowing transients to cut through. RMS compression takes the average amplitude of a signal, and compresses it. RMS compression is short for root means squared. We’re putting an explanation in here, because it’s related to how Sclap reacts to your signal, and applies gain reduction. It let’s the attack through, but clamps down on the bass. It’s also useful on bass, due to the nature of the transient control. The aggressive styled compression, allows you to really “Schlap” the compressor, giving presence, aggression and a nice room sound, while letting the transients through. Schlap is especially good for drums, and parallel processing. You can use upwards expansion with ratios between 0.1:1 – 0.9:1, downwards expansion (gating) with negative ratios, limiting with the inf:1 ratio, and everything in-between applies compression. Schlap can also be used as a compressor, expander, gate and limiter, due to the ratio modes available. This allows transients to come through the compressor, before gain reduction is applied, and therefore, provides doesn’t destroy them, but applies aggressive, pumping compression. RMS detection gives Schlap a clean, slow reacting compression that doesn’t destroy transients, and reduces gain on an average of the signal, rather than on the peaks of a signal. It uses program dependent attack and release, and RMS detection to apply gain reduction, with all the features you’d expect like ratio, threshold, sidechain etc. Schlap is an aggressive VCA compression/expansion tool that’s based on the old DBX160 compressor/limiter.
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